By the time 2010 rolled around, debuts like Nicki Minaj’s Pink Friday could still fall into the “highly anticipated” category, but the reasoning was different. Two years of strong mixtapes and guest appearances meant the hip-hop faithful already knew this sometimes dirty debutante could take that gutsy Lil' Kim style to another level, and that both the single and the full-length format were at her command. The only question left is how this versatile artist would present herself to the general public, and the answer is a Gwen Stefani-meets-Baz Luhrman-meets-Young Money-type affair that both dazzles and disappoints.
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Soul Tree Toshinobu Kubota Rarity there. Feed off the production, the great musical ideas, and Minaj’s keen sense of her surroundings, and Pink Friday is an outstanding success. It’s chock-full of new wave textures and diva attitude, creating the kind of atmosphere where will.i.am stops over while you tell the haters to kill themselves over a “Video Killed the Radio Star” sample (“Check It Out”).
More grand moments come when Kanye West and Minaj mack together on the great, Simple Minds-sampling “Blazin,” or when “Your Love” waltzes out of the speakers with a unique brand of hood majesty, but when “Dear Old Nicki” comes round with “In hindsight, I loved your rawness and I loved your edge,” Minaj suggests that her growth as an artist requires the sacrificing of all Trina-like qualities. Confusingly, the key track, “Romans Revenge,” finds her winning while acting as savage as ever, standing up to Eminem -- who is in gross mode -- and literally roaring like a tiger to get the job done. This is the Nicki the mixtape crowd fell in love with, and you only need check out 2009’s mixtape Beam Me Up Scotty for examples of how the Barbie (read: pop and R&B) and the bitch (read: hip-hop) sides of Minaj can be sensibly presented together.
In the end, Pink Friday is an ambitious, glossy stunner if fashion week is your favorite time of year, but Minaj didn’t earn her diva status this way. Longtime fans familiar with her underground work won’t even consider this her debut, just an extravagant coming-out party, the kind where the invite mentions “no sneakers or athletic apparel.” [The Deluxe Edition included three bonus tracks, including the smash hit 'Super Bass. Javelin Pos Installation Training. ' ] ~ David Jeffries.
Influenced by the unpredictable rhymes of Missy Elliot along with the sexually charged attitudes of Lil' Kim and Foxy Brown, rapper, television reality show judge, and household name Nicki Minaj was discovered thanks to her MySpace page. It was there that Dirty Money Entertainment CEO Fendi first heard her ability to freestyle and first laid eyes on her steamy set of promo shots. With killer curves she was obviously proud to flaunt, plus a background in the performing arts thanks to the Fiorello H. LaGuardia High School of Music and Art (the school that had inspired the movie Fame), Minaj was a perfect fit for Fendi's urban DVD magazine The Come Up. She appeared in numerous volumes, including number 11, which spotlighted her future label boss, superstar rapper Lil Wayne. Through Fendi, Wayne contacted Minaj and signed her to his Young Money label.
They began to build her career through mixtapes like Lil Wayne's Dedication 3 and Minaj's own Sucka Free. Meanwhile, appearances on various remixes -- everything from T.I. Kolhapurachi Shan Mp3 Song Free Download. ' S 'No Matter What' to Jeffree Star's club track 'Cupcakes Taste Like Violence' -- helped spread the word. The big breakthrough for Minaj came when Wayne added his rhymes to her 'High as a Kite' single, a mixtape favorite in 2008. The year 2009 would see more guest appearances and mixtapes, including the Beam Me Up Scotty mixtape, featuring the street single 'I Get Crazy.'
In 2010, the singles 'Your Love' and 'Check It Out' preceded the release of her official debut album, Pink Friday, which debuted that November at number two on the Billboard 200 and went platinum. She earned a handful of 2011 Grammy nominations, including Best New Artist, Best Rap Album, and Best Rap Performance. An all-out media blitz followed between albums with extravagant performances at award shows across the globe, an appearance as a musical guest on Saturday Night Live, and joining Madonna -- alongside M.I.A. -- for her Super Bowl XLVI half-time show. In early 2012, the Eurodance-influenced single 'Starships' signaled the coming of her official sophomore effort, Pink Friday: Roman Reloaded, an album built around her devil-may-care alter ego 'Roman Zolanski.'